Pinhole I: Impressionism, England

Hello, 2019.

I spent the last bits of 2018 under a mountain of film negatives scanning them into digital format. Turns out a project like this isn’t something that lasts for hours or even days. Weeks and months is more like it. I nearly stopped all other creative projects and pursuits to finish this task and after over 1000 scans, I have made it to the summit, sort of.

The time away from the lens allowed me to reflect on my year, relive wonderful fleeting moments and dream up what’s next.

2019 is the year of film for me. The digital cameras will remain on the shelf, hopefully gathering a thick layer of dust, while I explore deeper into the world of analog photography…

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In November, I found myself back in merry ol’ England for work and I brought along a new toy, a Holga 135 Pinhole Camera. Over a couple of brisk autumn days, I wandered around Alton and documented my impressions of the English countryside…

Camera: Holga 135 PC

Lens: Pinhole, f/175

Film: Portra 800, pushed to 3200

With The Wild Ones

Ah, birthdays- another cycle around the sun. A simultaneous beginning and end. A day to reflect, scheme, dream and celebrate. 

Ol' Boots turned 31 this year and at his request, we gathered in the enchanted canyon of West Clear Creek. There were no birthday challenges this year, no striving to keep age at bay, no desire to prove that the old boy's still got it. Instead, we laughed. We played. We photographed. We celebrated- not just the birth of one, but the gathering of many in a sacred place. 

The best gift you can give to others, to yourself, is space to just Be...

And it's not a post about Boots without some wisdom from the Tao:

"Those who understand others are clever, those who understand themselves are wise."  

Camera: Nikon FM2, 

Lens: Nikkor 50mm f/1.4D AF (manual focus, of course :))

Film: Kodak Portra 400